#MCstyle
via Marlow Weston - Google+ Posts https://plus.google.com/114347423852608167600/posts/ZvpFnswzcTM
via Marlow Weston - Google+ Posts https://plus.google.com/114347423852608167600/posts/ZvpFnswzcTM
Thursday, December 12, 2013
هنر با سرامیک و قطعات ساعت و دوچرخه
هنر با سرامیک و قطعات ساعت و دوچرخه
In 1985, artist Laura Harris of Melonhead Gallery was diagnosed with multiple sclerosis, which forced her to quit her job as a teacher. That same year, she took up the fine art of creating mosaics, focusing on her craft full-time. Since then, the skilled mosaic artist has created some amazing works of art that not only allow Harris to push through her physically restricting disease, but also to hone in on her creative abilities.
The artist's mixed media portraits exhibit an intriguing array of materials that range from standard mosaic components like glass, porcelain, ceramic and stone to the eye-catching and inventive elements typically found in bikes and clocks. Incorporating bicycle gears, watch parts (including both cogs and faces), and old--fashioned keys straight out of fairy tales into her portrait pieces, Harris adds layers of enchantment and technology to her magically-driven mosaics.
There's a surreal quality to Harris' work that allows the viewer to be swept away into a fantasy. Each of her characters seem to be making their own journey, eyes shut, into an alternate universe where dreams come true. There are recurring themes of dreaming and making a wish present throughout her body of work. The artist seems to be displaying her own inner desires apparent with her fragmented works, saying, "Mosaics allow me to fuse the pieces together to create something cohesive and beautiful, what I wish the world could be."
http://www.melonheadgallery.com/
Album
via Marlow Weston - Google+ Posts https://plus.google.com/114347423852608167600/posts/8598d4Rjxpk
In 1985, artist Laura Harris of Melonhead Gallery was diagnosed with multiple sclerosis, which forced her to quit her job as a teacher. That same year, she took up the fine art of creating mosaics, focusing on her craft full-time. Since then, the skilled mosaic artist has created some amazing works of art that not only allow Harris to push through her physically restricting disease, but also to hone in on her creative abilities.
The artist's mixed media portraits exhibit an intriguing array of materials that range from standard mosaic components like glass, porcelain, ceramic and stone to the eye-catching and inventive elements typically found in bikes and clocks. Incorporating bicycle gears, watch parts (including both cogs and faces), and old--fashioned keys straight out of fairy tales into her portrait pieces, Harris adds layers of enchantment and technology to her magically-driven mosaics.
There's a surreal quality to Harris' work that allows the viewer to be swept away into a fantasy. Each of her characters seem to be making their own journey, eyes shut, into an alternate universe where dreams come true. There are recurring themes of dreaming and making a wish present throughout her body of work. The artist seems to be displaying her own inner desires apparent with her fragmented works, saying, "Mosaics allow me to fuse the pieces together to create something cohesive and beautiful, what I wish the world could be."
http://www.melonheadgallery.com/
Album
via Marlow Weston - Google+ Posts https://plus.google.com/114347423852608167600/posts/8598d4Rjxpk
Sixteen Things Calvin and Hobbes Said Better Than Anyone Else
Sixteen Things Calvin and Hobbes Said Better Than Anyone Else
On life’s constant little limitations
Calvin: You know, Hobbes, some days even my lucky rocket ship underpants don’t help.
On expectations
Calvin: Everybody seeks happiness! Not me, though! That’s the difference between me and the rest of the world. Happiness isn’t good enough for me! I demand euphoria!
On why we are scared of the dark
Calvin: I think night time is dark so you can imagine your fears with less distraction.
On the unspoken truth behind the education system
Calvin: As you can see, I have memorized this utterly useless piece of information long enough to pass a test question. I now intend to forget it forever. You’ve taught me nothing except how to cynically manipulate the system. Congratulations.
On the cruel reality of commercial art
Hobbes: Van Gogh would’ve sold more than one painting if he’d put tigers in them.
On the tragedy of hipsters
Calvin: The world bores you when you’re cool.
On the tears of a clown
Calvin: Isn’t it strange that evolution would give us a sense of humour? When you think about it, it’s weird that we have a physiological response to absurdity. We laugh at nonsense. We like it. We think it’s funny. Don’t you think it’s odd that we appreciate absurdity? Why would we develop that way? How does it benefit us?
Hobbes: I suppose if we couldn’t laugh at things that don’t make sense, we couldn’t react to a lot of life.
Calvin: (after a long pause) I can’t tell if that’s funny or really scary.
On the falling of sparrows (or providence’s lack of a timetable)
Calvin: Life is full of surprises, but never when you need one.
On why winter is the cruellest of seasons
Calvin: Getting an inch of snow is like winning 10 cents in the lottery.
On the gaping hole in contemporary art’s soul
Calvin: People always make the mistake of thinking art is created for them. But really, art is a private language for sophisticates to congratulate themselves on their superiority to the rest of the world. As my artist’s statement explains, my work is utterly incomprehensible and is therefore full of deep significance.
On playing Frankenstein with words
Calvin: Verbing weirds language.
On realising God is more Woody Allen than Michael Bay
Calvin: They say the world is a stage. But obviously the play is unrehearsed and everybody is ad-libbing his lines.
Hobbes: Maybe that’s why it’s hard to tell if we’re living in a tragedy or a farce.
Calvin: We need more special effects and dance numbers.
On why ET is real
Calvin: Sometimes I think the surest sign that intelligent life exists elsewhere in the universe is that none of it has tried to contact us.
On looking yourself in the mirror
Hobbes: So the secret to good self-esteem is to lower your expectations to the point where they’re already met?
On the future
Calvin: Trick or treat!
Adult: Where’s your costume? What are you supposed to be?
Calvin: I’m yet another resource-consuming kid in an overpopulated planet, raised to an alarming extent by Madison Avenue and Hollywood, poised with my cynical and alienated peers to take over the world when you’re old and weak. Am I scary, or what?
On the truth
Calvin: It’s a magical world, Hobbes, ol’ buddy…Let’s go exploring!
http://bookriot.com/2012/02/06/sixteen-things-calvin-and-hobbes-said-better-than-anyone-else/
via Marlow Weston - Google+ Posts https://plus.google.com/114347423852608167600/posts/RiB3ryJgwbv
On life’s constant little limitations
Calvin: You know, Hobbes, some days even my lucky rocket ship underpants don’t help.
On expectations
Calvin: Everybody seeks happiness! Not me, though! That’s the difference between me and the rest of the world. Happiness isn’t good enough for me! I demand euphoria!
On why we are scared of the dark
Calvin: I think night time is dark so you can imagine your fears with less distraction.
On the unspoken truth behind the education system
Calvin: As you can see, I have memorized this utterly useless piece of information long enough to pass a test question. I now intend to forget it forever. You’ve taught me nothing except how to cynically manipulate the system. Congratulations.
On the cruel reality of commercial art
Hobbes: Van Gogh would’ve sold more than one painting if he’d put tigers in them.
On the tragedy of hipsters
Calvin: The world bores you when you’re cool.
On the tears of a clown
Calvin: Isn’t it strange that evolution would give us a sense of humour? When you think about it, it’s weird that we have a physiological response to absurdity. We laugh at nonsense. We like it. We think it’s funny. Don’t you think it’s odd that we appreciate absurdity? Why would we develop that way? How does it benefit us?
Hobbes: I suppose if we couldn’t laugh at things that don’t make sense, we couldn’t react to a lot of life.
Calvin: (after a long pause) I can’t tell if that’s funny or really scary.
On the falling of sparrows (or providence’s lack of a timetable)
Calvin: Life is full of surprises, but never when you need one.
On why winter is the cruellest of seasons
Calvin: Getting an inch of snow is like winning 10 cents in the lottery.
On the gaping hole in contemporary art’s soul
Calvin: People always make the mistake of thinking art is created for them. But really, art is a private language for sophisticates to congratulate themselves on their superiority to the rest of the world. As my artist’s statement explains, my work is utterly incomprehensible and is therefore full of deep significance.
On playing Frankenstein with words
Calvin: Verbing weirds language.
On realising God is more Woody Allen than Michael Bay
Calvin: They say the world is a stage. But obviously the play is unrehearsed and everybody is ad-libbing his lines.
Hobbes: Maybe that’s why it’s hard to tell if we’re living in a tragedy or a farce.
Calvin: We need more special effects and dance numbers.
On why ET is real
Calvin: Sometimes I think the surest sign that intelligent life exists elsewhere in the universe is that none of it has tried to contact us.
On looking yourself in the mirror
Hobbes: So the secret to good self-esteem is to lower your expectations to the point where they’re already met?
On the future
Calvin: Trick or treat!
Adult: Where’s your costume? What are you supposed to be?
Calvin: I’m yet another resource-consuming kid in an overpopulated planet, raised to an alarming extent by Madison Avenue and Hollywood, poised with my cynical and alienated peers to take over the world when you’re old and weak. Am I scary, or what?
On the truth
Calvin: It’s a magical world, Hobbes, ol’ buddy…Let’s go exploring!
http://bookriot.com/2012/02/06/sixteen-things-calvin-and-hobbes-said-better-than-anyone-else/
 | Sixteen Things Calvin and Hobbes Said Better Than Anyone Else To paraphrase E.B. White, the perfect sentence is one from which nothing can be added or removed. Every word plays its part. In my more giddy moments I thi |
via Marlow Weston - Google+ Posts https://plus.google.com/114347423852608167600/posts/RiB3ryJgwbv
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